if there would be an award for the most well-known brand in the techno scene you would find isiah major aka dj rush ahead. born and raised in chicago, the legendary mecca of the disco and house culture in the 1970ies and 80ies, rush left the windy city soon to conquer europe s techno- and house scene. since his legendary club anthem >motherfucking bass< that became a consensus hit worldwide, one of these all time classics that are exciting dancers always and everywhere, one cant imagine the techno scene without him

schöner flächiger sommer acid techno der leicht und locker daher kommt

harter schranz techno!!!

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

you make me spill was already featured on the recent compilation from brussels best new club, dirty dancing. now picked up by suicide a&r geoffroy aka mugwump, and backed with a killer and dirtier low slung funk remix by suicides shapemod whos just released his amazing debut 12 with jamie lidell and snax (from captain comatose) on suicide, loves too much. also the engineer and bass player for eskimos supergroup the lotterboys and previously terranova, shapemod has given you make me spill the berlin sonic treatment while setting the funk factor even higher. to complement this fantastic pairing of mixes,arpolis is a serious piece of border community style atmospherics melt down with an electronic disco

together with his partner in crime sascha b, ludovic vendi produced three new tracks under the alias robotique on dialect recordings. with >message< both give us a warm welcome to join them, and hen i say warm i mean it. turn on the >message< close your eyes and this bass-pizzacato mixed with a driving minimal sound combined a complex percussion melody takes you away to a rave in the sun... >ricochet< is pure funk, also flavoured with a driving minimal sound, while the closing >reencuentro< is the right track for a full dancefloor in the morning hour which will make the crowd scream ecstatically! futureistic dark sounds driven by a minimal beat. an absolute floor burner

dreamy progger with a cool key hook and nice strings on the a side flip for the slapped bass driven nexus with subtle female vocals

a chugging dark deep techy monster. two great remixes by lucaricci and paulo rocha on the original of chris barnes the dub mix, has a sexy rhythm with a dark bass underneath and techy sound with freaky pads. yet another great release from the brand new aenaria stable and be prepared for much more

christopher just looks back over his shoulder at the time when a bass used to be called a murderbass, bleeps were meeting clonks and techno was feeding the illusion of the everlasting party. dry beats, being swinged and pushed up cascade-like over the holy disco bass again and again, heralding - by sawtooth and an apocalyptic peal of bells - the ultimate party happiness. dj glow known from his always cool trust imprint delivers a great futuristic robot electro remix from outer space. crazy funky

nice price deal !!! 10kilo once again enlists the talents of aussie breakbeat rocker smithmonger. here he delivers an intense bass fuelled outing that effortlessly slips into 4/4 groove and back again. atomic hooligan is on remix duty on the flip and delivers a typically assured big room version.

depeche modes everything counts goes techno in a bass heavy filtered stomping new version flip for the 80s electro flavoured let the beat control your body

literon strikes hard again with this killer release for fortek. this machines trilogy is a sure shot package for all you djs out there. machine i has gained international support by key players such as tiefschwarz, steve bug, richie hawtin, dj hell and alter ego. a heavy bass lead minimal techno groover which sets fire to any dancefloor out there.

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

ably assisted by vegas new percussion pal luisito quintero master at work louie and the blaze boys complete nine and a half minutes of sublime jazz invested offbeat house joshuas jam has the us house legends at their most esoteric literally jamming for their own pleasure yet still coming up with the goods like a late 90s claussell production the dub mix feels as if it has slightly more bottom end due to numerous occasions where the bass drops out only to return stronger for it

ew kanada presents its premier release from toronto s adam marshall. hot on the heels of his remote culture ep on mike shannon s cynosure imprint, adam continues to push the boundaries between soulful techno and minimal house. dark, heavy bass lines reminiscent of the early get physical sound combine with berlin-style chord stabs and baby ford-esque funk to create a strong ep of advanced dance floor style

the second mobilee from exercise one hits the dancefloor with deep bass and heavy synthlines, darkmelodic parts and euphoric breaks !!! supported or charted by argy, tom clark, karotte and funk d void

french label babylon, launch a new limited series which will only release a single run of each catalogue. this will include previously unreleased mixes & specially commissioned remix packages of their key titles. the second release here sees greek rising star v-sag take over the remix duties over te whole 12inch native ft. ani >believe in me< is a chunky chugging houser, fat rolling beats and a round stomach tugging bass make this for floors that need pepping up….

two electro funk fuelled tracks on the a side weekend world offers his remix of paranoid jack with a tough driving bass line set against crisp jacking beats tried and test dance floor destruction on the flip alex offers his interpretation of perfectos jay welsh ioto with an infectious and haunting melody laid over a deep bass line and a solid groove this two tracker is a must for peak time players support from sasha john digweed kurt james zabiela nick warren hernan cattaneo

expect no frills some chills and lots of bass licks they re quick and oh so dirty their debut release the party ep is really what you can expect when you think about all the right ingredients

superb label compilation with the freshed rockin electro cuts & uk indyrock stuff

huggotron delivers an another mighty weapon for you to use ! the opening track >driven< is a relentless, dramatic backing of severe synths, rising pads and swirling noise. the bass in similarly intense, throbbing away before developing for a melodic break. >gasoline< kicks off with an percussive rhythm before a dark synth and a charismatic vocalsample driving the peace along. its quite a head-turner and should create a bother inside a club when played out. last but not least, you ll find the final installment >are you a killer< wich is a proper straight-up, electrohouse track, tuned by a huge bass witch create an lissome feel and things get ... killed!

the third single taken from romboy s super successful debut album sees remixes of his collaboration with n.y.c. dancemusic posterboy tommie sunshine who composed i.e. felix housecat and miss kittin s incredible track >silver screen<. cologne s electro maestro and phunkwerk labelowner dj delicious made a driving electric peaktime monster which fills any dancefloor in the world. watch out for his own single release >ja ja<! prolific edit and remix master radioslave aka rekid whose recent mix for chelonis r. jones >deer in the headlights< made all the dance music freaks go banana, delivers a super chunky >schaffel< monster tune with down-pitched vocals and heavy ass bass tnt! last but not least, tommie sunshine adds in some dark and noisy flavours to the original. once again, state of the art remix pack to the fullest!

the mirage ep is a perfect example of the hybrid blend of jersey soul and chicago house that large music has exposed over the last 12 years the title track is a deep techy spoken word tribute to the first perfect underground experience umba dae follows with filtered beats and a dirty driving bass line born in aruba completes the set with lush keys and tropical rhythms

nice main floor chunky disco flavoured house magic here with a soulfuric meets junior jack style which will sure do damage on the dancefloors a smooth rokwell remix really gets the juicy flowing with a hot bass and fantastic vocal

straight from san francisco come little death with a magnificent cover version of we are back originally by sheffields bleepy techno originators lfo this new version takes us straight to modern day with live drums and bass layered up with thick synths and mandatory vocoders on the flip we find a more straight ahead dub for the dancefloors

on the a side, step back is an ultra fat minimal tune with both old school housy sounds and strong techno beat. the dark male vocal repeating step back won t leave your head for hours. on the flip side, bastien grine goes deeper on a mental trip. a fat bass line surrounded by clear floating sounds. he plays with stereo effects and we loose our mind … pure madness

1999 classic release produced by san frandiscos iz (aka joshua/circulation) & chicagos dj diz this deep house anthem is a deep and soulful affair with dubby touches lovely live percussion and an hypnotic feel the satisfaction mix peps and steps things up a bit introducing a 303 bass a new female vox snippet sharper hi hats and a little more action in the mid range instrumentation for the last track the guys drop the tempo down and bring in some cheeky latin sounds and extra acid for an end of ep oddity that sounds like an acid disco track when cranked up to +8

london based subway are back with their most club friendly release yet. the third outing on their own label threetone drops two solid tracks of modern european dance.. a side >lizard< rides a synth bass arpeggio straight out of the electro era, backed up with slammin beats and a dancefloor-destroying arrangement.on the flipside >patterns< maintains the dancefloor vibe but stalks into deeper, darker territory with itss heavy walking bass and beats, all topped by a dirty phased synth hook..

pumping bass lines, pure electro-tech...

knowing sees duron tarik laying down a bed of rich wandering bass great piano stellar keys and shuffling house beats while stephanie renee and staci smith are responsible for some smooth house vocals topping the whole thing off for the floor crowds on the flipo the dub take utilizes a new organ hookline alongside some grooving electric keys while the vocal used sparingly on another surefire floor pleasing houser

as always with block, minimal, electro-ness is what s provided but this time with a subtle class that will simply blow you away. >killaz< slowly builds around an amazing melody, which changes with every turn. but wait till you hear >smoke<. jeeeezus! this is built round the mother of all bass lines and i dare anyone to try and stand still when this is playing

super new twelve from the idjut boys label feature the bass heavy one sider from lindstrom & prins thomas called >ballerina<. the flip slide is beautifully blissed out stuff with a track from arsenal (oooer!) feat jhelisa called >far i have come< and a track by mudd who have previously released tracks on noid recordings called >blue river<. cottage number five doesnt disappoint, it s like a certain machine you can buy in japan that helps you unwind. next twelve features a double a-side with tracks from spurs called >ossie s dream< (dan and connie cottage reconstruction) and west ham s infamous <i am forever blowing bubbles> (idjut boys re-edit)

with an uplifting electro bass house sound on the a side and beautiful sweeping chords and synths washing over the track these boys keep on growing in stature and quality greg munden slams in with a top rework on the flip taking the originals bassline and adding a more slamming sinister ideal

nice price deal !!! dark twisted house thats been doing the business for halo & hipp e peace division and tenaglia to name but a few

nothing too jacking nothing too banging this ep rides a nice midtempo groove right into the sunset with an old school deep house vibe mixed with some funked out cut up sample work loads of nice slapping bass and disco fied samples kicking things off right on while closer to mine goes for some hypnotic loops bouncing percussion and snazzy synth work lots of nice instrumentation and grooves throughout this ep definitely a feelgood record for the heather ecb and lawnchair general fans without a doubt

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

cass and mangan teaming up for the latest 12 from the saw recordings label. here you get the boys serving up a moody cover of the robert palmer hit, >i didnt mean to turn you on<, also recently covered by colette, with this take combining a brooding bassline, electro-touched synths, and a killer vocal, resulting in downtempo late night electro-house pleaser. on the reverse, eames’ >dub mix< adds more analog grind to the original, with tracky analog bass, crisp beats, and snippets of the vocal helping take this to the main room floors

atmospheric drum n bass killers..

italo gi gi dance bass ! four cool dancetracks from the orchestra maldestra

first 12inch on the re-launched farside label run by ingo sänger (westpark unit). matt flores follows up his big 12inch for compost s black label, once more he has worked with tyree cooper. bass heavy house in between early 90s house, detroit sounds..

nice price deal !!! >us< is a open and floating tune. very spring like melodic synth pad with hyno mono groove. >actor< is a slight more science like minimal bass groover, which was al made with deabeats reaktor ensemble vst plug-in. >shapefeed< takes it beyond the realm of your usual tune. only one modulating bass synth riff, it all happens on 50-300khz freq. so dark , so hyptonic.

der nächste streich der ostwind crew macht genau da weiter wo der letzte aufhörte.. marlose sagt hallo und drückt minimal richtung floor während molle und kombinat 100 schon mal den frühling einleuten !! herrliche remixe die unter die haut gehen, so manches herz schneller schlagen lassen und mit sicherheit das ein oder andere open air beschallen werden !!! well done..

patrik has already released on the worlds leading techno labels like drumcode, planet rhythm, fine audio, mankind and many more. for -the 12th strike- he did a real bass monster in his also well known headroom style ..

mariachi like vocals and groovy beats sounds crazy but this track is fun great use of traditional latin elements and vocals sure to move the floor the paranoid jack remix is a nice groovy 4x4 mix similar to the original but has a funkier bass line and synths you will groove the dance floor with this

the jinks productions always feature live instrumentation and this third single is no different featuring tom ashe on synths rhodes and piano remo penstripe on bass and eddy freeman on tambourine supplied with the injection of stormin norman andersons vocals jamie lewis makes it into a sure fire winner

in a deadly explotion of sub bass tempa let off two loefah bombs loefahs remix of i slams into a deadly sub in a nu school loefah style all condensed darkness and inferred space his remix of monsoon was built two years ago when he was first incubating his halfstep ideas and it takes a full two anticipation building minutes to drop

you re too close combines shuffling late night house beats great rhodes chords and rich bass behind a silky smooth vocal from cei bei on this deep house delight on the flip mr vs sole channel remix ups the temp a little with a retooled bassline grooving beats and a dreamy new key providing the backdrop for the vocal

>virus<, a palate of electroid techno fierceness that penetrates you with its driving bass.. >smack<, is another mindbender of a tune, it features an indecision vocal that struggles along in the stabby bass tide